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Saturday, 14 March 2015

NYCMidnight Short Story Challenge

Whoop whoop.
Delighted to have got through to second round! http://nycmidnight.com/Competitions/SSC/Challenge.htm
My Round 1 challenge:
Write a story in 8 days.
Length: 2500 words.
Genre: mystery
Character: butler
Object: bank account
So.
Here it is...

A Man For All Seasons


Flathers is horrified to find someone has been withdrawing funds from her ladyship's account.
How ever can he continue to keep her in the manner to which she has become accustomed?

Hi I’m Shelly! chatters away as she swipes. She’s a fast swiper and for that I am grateful. It is almost four o’ clock and I need to be ready for Lady Josephine’s tea in the garden.
I straighten the plastic divide between my neatly stacked tins of Cream of Chicken soup and the family-size packs of crisps belonging to the woman behind me.
This is a mother with three small children who is letting them open chocolate milk. The one near me – a boy – has a chocolate moustache and I take care to not let him near my good flannel trousers.
“Do you want your Club Points, love?” the swiper asks.
I shake my head. Her Ladyship will want her Darjeeling and rosewater biscuits before I take her to admire the azaleas. But before that, the ha ha needs mowing. I hope I remembered to mend the broken window in the ice house.
“I said, are you collecting stickers for your knife-set?”
Hi I’m Shelly! is waving a sheet of what looks like little coloured stamps at me.
“Oh no, thank you.”
If there’s one thing we don’t need it’s more knives. That’s another job that needs doing, polishing all the silver. I place the last sachet of Angel Delight into my shopping bags and turn to pay.
A tap on my arm.
“Are you wanting those? It’s just that we’re saving for the knife Royale.”
“I’m sorry?” The big clock by Costa Coffee says ten past four. My trolley is bulging with carrier bags. I have twenty minutes to pack all this in the Bentley and assume my next role.
It’s the mother, the one with the chocolatey children.
“Like what Gino del Campo has,” she says.
I have no idea what she is talking about, but nod curtly.
Eighteen minutes.
I slot Lady Josephine’s Goldcard into the paying machine.
“Enter your pin please,” sings Hi I’m Shelly!
Chocolate Moustache rubs himself against my leg and I move myself hastily to the other side of the trolley. It’s packed now with bags filled with the cans, boxes and sachets that constitute our weekly shop.
Then the thunder-bolt.
“I’m sorry love, it’s saying do you have any alternative means of payment?” Hi I’m Shelly says brightly.
My hand freezes over a bag of luncheon meat.
“I beg your pardon?”
“It’s not letting me use it to pay, love. Have you got another card I could try?”
We both stare at my bank card.
“I have one hundred and eighty three pounds seventy-seven in that bank account,” I splutter. “There must be some mistake.”
Hi I’m Shelly! shakes her head. “No mistake love.”
Of course I don’t have any funds. Not after I’ve paid off the rates and the gas bill and the man who mended the roof of the East Wing where the squirrels have been getting in and doing all sorts of untold damage.
Until the money comes through from the cottage rentals at the end of the month, that one hundred and eighty three pounds seventy-seven is all we have.
The store manager has materialised now. Behind him, the knife-collecting mother and her sticky-faced children are gaping at me in fascination.
“I’m afraid we’ll have to leave your items at Customer Services Sir. Until you come back and pay for them. If you’d like to leave your name and contact number, Sir.”
“I must have my Darjeeling. Lady Josephine must have her Darjeeling!” I am almost shrieking and the little cluster around Till 9 stares.
With trembling hands I reach into my pocket and pull out a handful of coins and other detritus: Lady Josephine’s smelling salts, a hair-pin to open the sticking lock on the side-gate, a couple of biscuits for Pipkin, the ancient labrador. I count the coins, holding my breath.
Two pounds ninety-three.
Hi I’m Sally! sighs and we begin the long process of unpacking every bag in order to find Lady Josephine’s tea.
The time is seventeen minutes past four.
#
I have barely enough time to pull on my Nearly Nude tights and tidy my hair when the bell jangles in the pantry.
Lady Josephine.
I arrange the rosewater shortbreads neatly in a fan on her favourite Royal Worcester tea plate and place the tea-pot onto the silver tray. Lady Josephine is already sitting by the ha ha and I pray she doesn’t see the unpruned hedging, the sprouting lawn.
Picking up the tray I hurry over the lawn.
“Ah there you are, Sylvia. What a beautiful day. Don’t you think it is a beautiful day?”
Her voice is light as larks and the late afternoon sun gleams in her hair.
“Indeed it is Madam,” I say.
As always at first, my voice comes out far too deep.
Lady Josephine laughs. “Oh Sylvia, you sound as though you have a frog in your throat! Come, pour the tea, do.”
I flush and am glad I put on an extra layer of  Crème Matte Foundation. Next time I speak, I concentrate and am relieved when my voice comes out a notch higher.
“Shortbread, Madam? Fresh baked this morning.”
“Ooh, delish, thank you, Sylvia.” She waves her arm at the lawns, the ha ha, the willow maze.
“Isn’t all of this lovely? Don’t you think it’s lovely, Sylvia?”
“Indeed, Madam. It’s very nice.”
All I’m seeing is the nineteen acres of lawns to be mown and the stables to be swept and the horses and hens fed and the kitchen garden needs weeding, the vine weevils have got into the pots again, and while I’m at it I might as well take a broom and sweep the sky.
#
I stare at the computer screen and tremble.
Over drawn by three pounds forty-three.
The screen doesn’t lie.
But I know, I know there were sufficient funds in this morning. In my role as Financial Advisor, I make it my business to check her Ladyship’s affairs most meticulously.
Someone has stolen one hundred and eighty-seven pounds twenty from Lady Josephine’s bank account.
The only two occupants of Wittington Hall are her Ladyship and me.
Her Ladyship doesn’t know how to turn on a computer and has never used a bank card or held money in her life. Like all her venerable family, sadly now all deceased, she has never needed to. Not when she has me to look after her needs. And my father before me, and his father before that.
It is what we Flathers do and what I will never stop doing so long as I live and breathe.
I blink at the computer screen and the figures blink back.
£3.43 DR.
There is only one person who could have withdrawn those fundings.
The Scullery Skulker.
That man last week who was crouching down by the scullery when I was laundering her Ladyship’s panty girdles; I distinctly remember his furtive manner, and the way he slunk away when I waved my soapsudded fist at him.
What if he is the mysterious thief?
He could have got valuable information from the log of receipts I keep in the study, or picked up a bank letter from the table in the hall. Have I received any suspicious telephone calls recently? Attempting to whittle out information such as account numbers and passwords? I know such things exist.
In which case the person at fault is me.
To calm myself, I pull on my Head Groom’s outfit, thinking to check on Millie and Sugardrop. Their quiet champing will allow me to clear my head.
It is as I am putting on my chaps that the pantry bell jangles.
“Yes Ma’am.” I use my Cook’s voice this time, with its soft Somerset burr.
“Ah, it’s you Jane. Just who I was after. I’m having a few friends round for dinner this evening and I wondered if you’d pull out all the stops tonight. You know, some of your wonderful Foie Gras, your fabulous Panacotta, that sort of thing.”
“I’ll do my best, Ma’am.”
My burr falters.
#
“Wouldn’t you just die without Prosecco?”
“Literally, darling, I would literally die.”
Lady Josephine seems to be enjoying herself and for that I am grateful.
No-one raised a comment about the ‘homemade’ Cream of Chicken Soup I rustled up with the last of the cans from the pantry.
Everyone seemed to enjoy the Game pie I made with a brace of hastily shot pheasants. Lucky for me they shot out of the bushes just as I was taking Sugardrop out to test her lame leg.
They have got through the last of the Chateauneuf-du-Pape Cuvee Speciale 2002 from the cellar and haven’t noticed that the Prosecco is Lidl’s own. I hope and pray they will be too squiffy to notice that instead of the Vanilla Panacotta Lady Josephine requested, they’re getting butterscotch Angel Delight with chocolate sprinkles.
“More wine,” drawls a man in a flashy tie.
I am topping up his glass when Lady Josephine’s best girlfriend lets out a shriek. Lady Lavinia is in her seventies but is bedecked with her finest party jewels, her long earlobes pendulous with emeralds.
“The cook. We must thank the cook,” she shrieks.
I slop Prosecco over the table-cloth.
“Flathers. Dear, dear Flathers. Would you be so kind as to bring in Jane.” Lady Josephine is leaning forward, her eyes still bright as stars in her softly lined face. She too is sparkling with jewels tonight. She doesn’t know that hers are all paste, that I’ve sold them over the years to the Pawn shop in Englefield Green, all to protect her from her withering finances and to keep her in the manner to which she is accustomed.
I swallow.
“Indeed, Madam.” I bow my head.
#
Jane requires extra padding.
There is no time to get the size 40 EE brassiere I found on a sales rack in the supermarket and into which I’ve carefully stitched wadding to construct Jane’s ample bosom.
There is no time to get the size 12 lady’s court shoes which she favours because they’re wide enough for her bunions. I located those in a charity shop off Portabello Road.
There is, however, the wig.
Jane’s wig is a splendid affair which I acquired from a friend in the acting profession, along with all the makeup. It is rich and red and plump with curls. Best still, those bouncy waves hide most of my face. Luckily for me, it now resides in the bread crock in the scullery, which is where I placed it when I was once caught short halfway between being Jane and Old Mills, the Gardener.
Lady Josephine didn’t seem to notice though; her flowery hat was shading her eyes as she stepped out of the sunlight that day, and besides, I fear her eye-sight is dimming, just like mine.
I have a large floral pinafore which hangs off the hook for emergencies such as this.
I dress myself, panting, and hurry through to the dining room, folding my arms over my sadly deficient bosom.
“Oh Jane, dear,” says Lady Josephine, and her smile is radiant, her eyes full of sparkle. “My guests want to say something to you. Don’t be shy, dear. Come right in.”
Jane is extremely bashful by nature. At her Ladyship’s request I shuffle forward.
“We wanted to congratulate you on your food,” smirks a voice. “Wonderful dessert, Jane. Light as air.” The voice pauses. “Almost as if it were made by…angels.”
I flush, then raise my eyes.
It is the fellow in the gawdy tie. The penguins on it wave their wings at me as he leans forward. But then I look at his face and feel ice slip into my stomach.
It is the skulker. The man in the grounds.
“Thank you for your kind comments, sir,” I manage at last.
Jane’s voice comes out a little louder than I intended and they all stare.
I can no longer keep this to myself.
#
It is as Flathers that I tell her.
Lady Josephine listens without interrupting and then looks very serious.
“Stolen almost two hundred pounds, you say? And you think that my bank account details were somehow intercepted by my guest who could be the mysterious man in the garden? Why Flathers, that’s terrible.”
She frowns in thought, then her face clears.
“You must arrange for me to interview each member of staff at once.”
#
I am eighty-three years old.
There comes a time when even a Flathers must admit defeat. This is that time.
I am sitting on the steps overlooking the rose garden when Lady Josephine comes to find me.
“Oh Flathers, Flathers, you darling man.”
She sits down beside me and places a gloved hand over mine.
“Please don’t be upset. It will all be all right, I promise.”
I look at her. “Indeed it won’t Madam. I have failed you. I have allowed your money to slip out of your account without noticing. There is worse, Madam-”
I swallow. It is time to confess to her Ladyship how I have lied and deceived her all these years, all to no avail. “You have no more money, Madam. I fear you may be forced to give up your ancestral home, I-”
“Oh I know all that,” she says breezily.
I freeze.
“I beg your pardon, Madam?”
“That we’re poor as church mice. Skint. Broke. Thoroughly in Queer Street.”
I struggle to form the words.
“You knew, Madam?”
“But of course. That’s why I invited that ghastly man to dinner. He’s a property developer who’s going to turn Wittington into darling little flats. Lavinia’s idea. Everyone’s doing it.”
Her Ladyship turns to face me and her blue eyes are bright as stars.
“It means we never have to leave here, Flathers. We’ll have the best apartment, overlooking the ha ha, and you’ll be able to look after me just as you’ve always done.”
I am speechless.
“Flathers?”
“Madam.”
“Do you want to know what happened to that money?”
I swallow. “Indeed I would, Madam.”
“Well I know how much you like,” she gives a little cough, “dressing up.”
I stiffen.
“Madam?”
“All your different guises. They’re simply marvellous. So I decided to arrange a little treat for you, as a way of saying thank you.” Her Ladyship squeezes my hand. “I dragged Lavinia over to the bank on the high street, Flathers, and a rather lovely young clerk helped show me how to transfer the last of the funds to pay for something rather special.”
She drops something onto my lap.
“Theatre tickets, Flathers. We have the best seats at the London Palladium.We are going to see The Mousetrap, Flathers, just you and me, and there’ll be enough left over for a pot of tea at Claridges.”
Once again I find myself unable to speak.
Lady Josephine pats my hand. “Dear, dear Flathers,” she says. And we sit together, watching the lengthening shadows sweep gently over the lawns.










Sunday, 1 March 2015

35 authors. 1 upstairs room. 1 bookshop.

2 pm onwards, and the very top floor of Birmingham High Street Waterstones is buzzing with writers, readers and bloggers.
Tables are crammed with all the latest YA reads and writers stand around with sticky white labels on, signing books and waiting their turn for their 2 minute elevator pitch.
It's the long awaited UKYA Extravaganza...

Clutching my copies of Murder Most Unladylike and its sequel Arsenic For Tea, I ask the author, Robin Stevens, how she came up with the idea for her Agatha Christie/Malory Towers mash-up.
"Well, I went to Cheltenham Ladies College as a boarder and really wanted to use the setting where I'd spent such fun times and add a darker twist - I've always loved Agatha Christie mysteries," she tells me.
And why did she use a Chinese girl as her protagonist?
"That's easy. There were lots of Chinese girls in my boarding school and as an outsider myself - I'm American - I really wanted to write from that point of view."
We are interrupted by the next panel, and this time it's the turn of Sarah Naughton to pitch her two books, The Hanged Man Rises and The Blood List - a Medieval tale about a Changeling boy left in the woods. Sarah talks about her research for the story, inspired by watching a Tony Robinson documentary and reading about the disturbing things they used to do to so-called fairy babies.
Rhian Ivory reads the very tense and creepy prologue of her new book, The Boy Who Drew the Future - the ending of which came to her in a dream - and then it is the turn of Caroline Green to pitch her YA horror, Cracks.
"I basically put my character through hell," she says, after describing how she got the idea after gazing at a crack in her bathroom tiles, and wondered what would happen if it just kept on going...
Next, CJ Daugherty tells us about her Night School series- "based on Eton if it were cooler, scarier and more murderous" and says she was inspired by a photo in a paper of the notorious Bullingdon Club - the elite secret society where most of our leaders wreaked terribly posh havoc.
Kendra Leighton was inspired by teaching Alfred Noyes famous poem The Highwayman in the classroom for her debut novel, Glimpse, a ghost story set in the present day.
Pitching books is a daunting experience, with co-organiser Kerry Drewery shouting "ten seconds" each time a writer wavers near the end of their strict time, however it means that the event runs like clockwork as we are plunged from one story-world into another.
Alan Gibbons stands up and manages to squeeze in a passionate argument against the closure of libraries into his pitch. Inspired by the tragic true-life story of Sophie Lancaster, murdered because she was a goth, he talks about his latest book, Hate.
Pitch 'n' panel
After a break, the panel includes Rachel Ward, author of the YA Book I Have Wanted To Read From The Moment I Heard About It And Still Haven't Read Yet. That's not actually its name though - it is Numbers, the story of a girl with the disturbing gift of looking into people's eyes and being able to see their death dates. Talking about her contemporary novel, The Drowning - about a ghost who haunts through the medium of water she says, "it scared me so much that I haven't been swimming since I started writing it." The sequel Water Born is out now.
As a grand finale (and after lots of fab authors I haven't got space to mention) wonderful organisers Kerry Drewery and Emma Pass finally get a chance to pitch their own books! Kerry's book A Dream of Lights tells the harrowing tale of a girl in a North Korean prisoner camp. "I was inspired by the strength of the people," she says. "Although I haven't been to North Korea as visitors are under permanent escort and not given a glimpse into the realities of life there, to me it doesn't matter. As a writer, whether it's science fiction or historical, these are all uncharted territories that we can research and empathise with without actually visiting."
Emma's dystopian police thriller Acid  was written, she says, in 1000 words a day in her pyjamas.
Kerry Drewery and Emma Pass, Organisers Extraordinaire
So, what it at all stressful, organising such a big event with so many authors?
"It started with only four or five people," Emma and Kerry tell us. "Then it became thirty-five! It totally snow-balled, but in a good way."
How do you squeeze 35 YA authors into one photo?
A wonderful afternoon, with a great bookish buzz.
As a teacher, it's lovely to see so many teens giving up their time to grab the latest reads and autograph-hunt.
Here's to the next UKYA Extravaganza!
My stash of goodies. Which to read first..?

Monday, 16 February 2015

Just For Fun: Rhian Ivory

As part of the countdown to UKYA Extravaganza, Birmingham, we at Write For Real asked our Blog Tour author Rhian Ivory to share her answers to some fairly random questions...
Tea or coffee?
Always tea. I like to drink at least six cups of Earl Grey a day! Never coffee unless I'm really tired...
Cats or dogs?
Definitely dogs. I have two: a black lab called Betty and a Springer Spaniel called Badger. Both are nuts.

Pause as thinks "aaahhh, those eyes" and "did you know you have the same sofa as me?"
Cake or chocolate?
Chocolate - but I'm incredibly fussy so it has to have something in it like nuts or fruit.
Camping or luxury hotel?
Luxury hotel because I've never really stayed in one apart from The Balmoral in Edinburgh once which was pretty special.

The Balmoral - with doormen and everything
Paper books or e books?
Paper - but I do have a Kindle.
Heels or wellies?
Wellies. With having two dogs and living next to a farmer's field, heels won't get me very far!
The farmer's field where Betty and Badger get their daily run (no heels in sight)
Which Hogwarts House?
I've done the test and I'm Ravenclaw.
Luna Lovegood - a fellow Ravenclaw
Write or type?
Type. I need Spell-check!
Summer or Winter?
Summer. This Winter has gone on far too long and I need Spring and some sunshine.
Minimalist or hoarder?
Minimalist apart from my book collection, which is verging on an obsession!
Rhian's book collection - maybe
Red or brown sauce?
Red. I can't stand brown. And I only use red on bacon sandwiches.
Meticulous planner or "straight in with the first draft"?
Straight in and sort out the mess later!
Hmmm. Let's look again at Rhian's author pic. We at Write For Real are thinking "what about all those post-it notes? Looks pretty planned to us."

Finally- and most importantly: Marmite. Do you love it or hate it?
Love it!
You will find Rhian Ivory talking about her books at UKYA Birmingham on Saturday 28th February.
See you there if you've been lucky enough to get your hands on a ticket!


Thursday, 12 February 2015

Nosy Crow Masterclass

Twenty or so would-be authors huddle in the courtyard of Nosy Crow converted tea warehouse on Lant Street. We are led up twisty iron steps into the Nosy Crow reception area, which has very lovely tree illustration wallpaper and shelves of prizes.


Kate Wilson, Managing Director, leads the line-up with a warm and witty welcome, followed by fiction editor, Kirsty Stansfield, who talks about the importance of knowing who you're writing for and having a USP.
She tells to research the market to see what's buoyant but most importantly to realise that trends are cyclical - look at what was successful but has now gone quiet. You can feel us all racking our brains to think of The Next Big Thing. Until Kirsty gives a small smile and said, "let us know when you've found it."
On the dreaded synopsis, she urges us to think about our trailers, hook and blurb: what it is about our character that others will want to read about. Make it easy to pitch and sell. And to remember that 99% of book-buyers are Not The Child.

Next to speak is The Rescue Princesses' author Paula Harrison, who gives us wise advice on whether a story concept is strong enough for the 5-8 year old bracket.
Think Wish Fulfilment, Wish Fulfilment, Wish Fulfilment.
Keep it narrow in focus.
And each book in a series is a one-off adventure, whereas in 9-12 series the main character needs to grow up and develop - there must be a definite end-point.

Literary agent Gemma Cooper of Bent Agency shows off her bright green skull nails - promoting her client Robin Stevens' new book Arsenic For Tea before giving lively advice on submitting to agents.
Did you know that:
the subject line of your e mail acts like a mini-pitch? So get that title working for you! She recommends membership of the wonderful and supportive SCBWI as a great addition to your writer's bio in your query letter. There follows a heated debate on whether a children's book can support two protagonists. Gemma's response is yes absolutely, but take care the dual narration doesn't spoil the pace.
Gemma's detailed list of what she'd love to find in the slush pile includes:
toxic girls, glam fantasy, X Files will they - won't they relationship, the new coming of age/ the summer before Stand By Me and anything with animals as the main characters. The new Homeward Bound, anyone?

Kate Wilson laughs about "this ludicrously subjective industry" before a delicious lunch (I have chicken and avocado sandwiches followed by something yummy with feta cheese).
Lunch is also manuscript critique time with some tactful but frank feedback from the industry professionals and plenty of "ouch" moments with our own writing.

Our next guest is Helen Peters, author of The Secret  Hen House Theatre books.

Helen talks us through her writing process, showing us notes and folders and post-its. The first draft is "full of notes-to-self" she tell us, quoting Pamela Johnson: "Writing is a bit like making a film - only you're doing all the jobs." She urges us to read Cliff McNish on Five Great Story Ideas:
Overcoming the Monster
The Dream Come True
The Good Person Who Cannot Be Kept Down
The Loss of Something Important and...
The Journey
and says the more of these you can stuff into a book the better!
We all struggle to think of ways to make sure all these elements are threatened in our own books.
Great advice re: making a cast-list of characters. Are there any that could be doubled up to stream-line your plot?
Ex English teacher Helen has us all focused and on task as she gives us the best advice I've had on scenes:
"Get in late and get out early".We all scribble away feverishly on the need to drive action by the character's "want" and to have a focal point of action per chapter.

Heads full to bursting, we listen to fantasy writer Ellen Renner on the importance of world-building:
"It's totally about detail," she says, "but most of it doesn't have to go in the book!"
We are all made to think of a magic power we'd like to have and how it might affect our relationships.
Mine, flying. Problem, wings budding, a constant need to take off and occasionally waking up in a tall tree.
Great advice on including a Mirror Moment in our plot. Sinking feeling as I realise my character doesn't appear to have a midway moment of inner realisation. Yikes. Yet another plot problem to solve...

Luckily I am saved from despair by the lovely Tom's equally lovely cupcakes and all is well.

Finally, we are entertained by The Grunts author Philip Ardagh who has us all in stitches as he regales us with all things scatalogical, along with nuggets of writerly advice.

After, everyone swaps twitter handles and is treated to a glass of wine before negotiating those twisty steps again.
Now to get back to that plot...

An Interview with Rhian Ivory

We are delighted that Rhian Ivory has agreed to be interviewed by Write For Real as part of the UKYA Extravaganza Blog Tour.

What is the pitch for your current book? Can you sum it up in ten words?

Two boys live in the same village over one hundred years and suffer the same curse but will history repeat itself or can a new future be drawn?


What inspired you to write it? What gave you the ideas? 


I dreamt the ending of The boy who drew the future and had to work backwards from that point! I also had some very spooky coincidences as I researched about witchcraft, drawings and prophecies. All of these went into the novel.

Could you tell us when it is due out? 

The Boy who drew the Future will be published by Firefly Press under my married name Rhian Ivory on September 17th.

Can you give us a brief summary of  other books you have written?

I've written three Young Adult novels and one Middle Grade, all of them published by Bloomsbury. I'll now sum them up:

When Isla meets Luke meets Isla

A stroppy Scottish girl meets chilled out English boy when she is forced to move to Maidstone. A friendship follows and then disaster. The novel is told from both their perspectives and charts how they deal with a dramatic event in their lives.

Isla and Luke: Make or Break?
The sequel to Isla Meets Luke Meets Isla, it continues their story as they start sixth form college.

The Bad Girls Club

Four girls are forced to form a book club and review real YA novels. They go on their local radio station once a month and discuss books such as Anne Frank's Diary, a dystopian novel called Daz 4 Zoe and other books. The novels they read help them deal with events happening in their own lives as they are tested by all the usual trials of teenage life.
True Colours

Rosie has always wanted to see a fortune teller but until now her mum has always had something against them. When Rosie asks the fortune teller to help her see the future she is given a different kind of gift which allows Rosie to look past people's little white lies and see their true colours.

Do you find yourself returning to any common themes in your books for teenagers?
 Well, I seem to have a bit of a thing about seeing the future! This mostly comes down to being nosy and incredibly impatient. A lot of my characters are often the new girl/the new boy.
Having moved around a lot as a teen this is something I can relate to and seems to sneak into my writing. Friendship is another constant theme throughout my books, as well as feeling not alone but perhaps a little bit different to everyone else.

Which author's style is most like yours and why?
 I am a big fan of Marcus Sedgwick's writing and love the way he evokes atmosphere in his writing. This is something I strive to achieve myself.

Um, and if you were a piece of furniture, what would it be and why?
A bookcase of course!



Thank you so much for letting us interview you!
Don't forget, you can see Rhian Ivory on February 28th in Birmingham, along with thirty-four other YA authors.
You can follow Rhian here:

Friday, 30 January 2015

UKYA Extravaganza - The Great Big Blog Tour!



The tickets have sold out - only one day after going on sale.
So what's all the fuss about?
Well, maybe it's the fact that 35 YA authors are going to be together at Waterstones in Birmingham- plus some unofficial ones not on the list.Organised by authors Kerry Drewery and Emma Pass , it's a great opportunity to get books signed and meet the people behind those stories.
Who's going to be there?




From hard-hitting venerable teen author Alan Gibbons  to exciting new author Rachel Ward (she of Numbers fame), there's something for every reading taste.

Read all about it on Kendra Leighton 's blog and at Beth Kemp.

Watch this space for posts and updates on Write For Real's Blog Tour author, Rhian Ivory ...

Thursday, 29 January 2015

Spot-light on...Rhian Ivory, YA author






This month, Write For Real will be focussing on Rhian Ivory, who is one of the exciting YA authors to be featured in next month's UKYA Extravaganza in Birmingham.
Date: February 28th.
Venue: High Street Waterstones.

Rhian writes under the pen-name of Rhian Tracey, and has been writing stories since she was 5 years old. She teaches work-shops for students of all ages, and is especially passionate about school visits. Currently she is impersonating a workhouse guardian and dragging around a chest full of Victorian curiosities to inspire students' creative writing! 

She has written a host of children's books, both for teenage and the younger audience, and her latest book, The Boy Who Drew the Future, is about two boys trying to escape the past of their village, which was once renowned for witchcraft.

Our next posts will focus on her books, her writing journey and writing tips for new writers...