By Olivia Levez
So my school’s due an Ofsted.
Any minute now, any day, any unit, the
door of my classroom will creak slowly open, and there’ll be that drymouthheartbeatfeelsick
moment when An Inspector Calls.
A middle-aged man, or possibly a
woman, will nod once, then sit in the chair which I will have made available to
them, right behind the boy or girl who is most likely to be on task and hopefully
has the neatest book.
And The Inspector will scrutinise
every aspect of my lesson, every flaw, every missed learning opportunity, every
doodled penis on every dictionary spine, every moment of mediocrity in between
the crammed garbled quest for outstandingness.
So, um, Ofsted’s pretty scary.
It’s got me thinking about the fears in being a writer.
When I first made the decision to
actually do something about becoming an author, I definitely had my Yellow
Thinking Hat on. For any non teachers out there, this means that I was using
the part of my brain that thinks in terms of optimism and positivity and
hopefulness. Except thinking hats are a bit old hat now.
I took a sabbatical from school and
made the decision that, after fifteen years of teaching, I was going to be:
a)
A writer
b)
An artist
Either would do. I wanted to swap my
desk of marking for a lovely battered table filled with pots of paintbrushes
and found objects and mood boards. I wanted to leave the busy, shovey, clamour-and-din
of school corridors for a Room of One’s Own.
I imagined floating around, looking
nicely arty, and a tiny bit scatty, clutching my iMac Air and wandering off to
my Roald Dahlesque writing shed, complete with dog blanket on my knees and a
giant rubber band ball for when I needed to Find My Muse.
I’d dash off a novel, send in a
couple of chapters, get a book deal, and then live off my earnings, happily
pottering/writing.
Never again would I have to Feel the
Fear.
Never again would I have that feeling
of someone looking over your shoulder and judging you.
Wait.
Judging you?
I was to learn, of course, that being
rejected and feeling a failure is an important part of being a writer.
Strengthening. Character-building. Growth mindset encouraging. And that
critique groups are a gentle way to show you how much you still don’t know.
But nothing comes close to Being On
Submission and waiting for your agent’s email. Thinking that maybe it could be
a phone call, because probably that means A Six Figure Deal and then…*drifts
into reverie of taking The Call at school, maybe in a staff meeting, and having
to say “oh, so sorry, my agent, yah, just discussing the ahm deal, please
excuse me for one moment…”*
Soon, I worked out that an email with
an exclamation mark often meant Exciting News! whereas a straightforward,
common-or-garden email came with a thoughtfully edited rejection or two.
Or three.
Or four.
Or five.
So I took to approaching my inbox
like a bomb disposal engineer.
And now there are new fears:
NotSellingAnyBooksGettingBadReviewsNoOneAttendingtheLaunchNotKnowingAboutTaxNobodyLikingtheBookNotBeingAbletoWriteAnotherBookNotHaving a latformNobodyComingtoMyBookSigningTwoHundredPairsofTeenageEyes
LookingatYouSardonicallyasYouDoAReadingHavingABadNielsonRating
PeopleThinkingYouAreAPushyVileBoastySelfPromotingTweeterNotHaving
EnoughTwitterFollowersNotHavingEnoughLikesNotBeingAbleToDoEdits…
Borrowing a quote from the brilliant We Were Liars by E. Lockhart, in which the main characters
write quotes on their hands, I’ve put one of them up in my classroom:
“Always do what you are
afraid to do.”
So, realising that being a writer has
equal terrors to being a teacher, I decided to force myself to do hideously
scary things in preparation.
Fearful things I’ve made myself do:
Give assemblies about Write For Real,
sharing my experiences of trying and failing to get published.
Speak at TeachMeets – horrifically terrifying
events where you give micro or nano speeches, watching your name teeter on the
fruit machine ‘fun’ random-name-picker.
Make myself go alone to the intriguingly named SCBWI conference that I kept hearing so much about.
Set up a writing critique group,
attended by the assistant headteacher and a book group friend who I didn’t know
too well.
Give a teacher training session at
the Pedigoo for local teachers.
Talk, many times in Staff Briefing –
literally hundreds of teachers on a Monday morning, all needing to get their
lessons set up – sharing Word of the Week.
Go to my first SCBWI Friday critique
session, clutching five amazing scripts that I knew I didn’t have a hope in
hell of being as good as.
Skyping Melvin Burgess after my
friend won him in a SCBWI raffle and agreed to swap. It was a little awkward
when we were setting up, and I could see him but he couldn’t see me and, oh,
eek, oh.
Weirdly, having two scary jobs rather than just the one has put them both into
perspective. Now, when An Inspector Calls, I shall serenely teach on, and
think, why, this is nothing.
Not compared to an email with no
exclamation mark.