About Me

Sunday, 26 July 2015

A Pair of Chillers


This was the first book I bought at YALC because I’d seen the cover through twitter, and I’m a sucker for swirly ink-blots.

Straight away the narrative voice gripped me, in a slightly disturbing way. There was something out of kilter, something left unsaid – a sense of corner-of-your-eye creepiness, that reminded me of Ishiguro’s harrowing tale, Never Let Me Go. This book also brought to mind another sneakingly unsettling narrator – Engleby by Sebastian Faulks. Oh, and there’s a touch of the crowing The Talented Mr Ripley (Patricia Highsmith) too.
So, now to the story.
This is meticulously well-plotted, with each new reveal at just the right moment, so that when the final scene happens you have to blink and immediately turn back to try to pin-point when exactly things started changing. But you can’t. Because it’s all handled with such subtlety and deftness. As a writer tackling final edits for my debut novel, I’m massively impressed (and just a tad jealous!)
Without giving too much away, Birdy is the story of a friendship between two girls, one lonely and alone, the other bubbly, bold and energetic. It’s a friendship that dramatically changes their lives, but darkens into obsession and possession.
And how it darkens!
Killer line: “I was going to have to break the news to her gently.”
Envy moments: That den. That egg chair.
Once you reach the end, it all comes together; the swirly ink-blots make beautiful sense, and you blink with surprise to see that the sun’s still out.
Because that’s the sort of book it is.
If you like this, you’ll like…


When I read the acknowledgements (am I the only writer who always does this first?) I was interested to see a mention of James Dawson  (also of Hot Key) as I read this book straight after reading Dawson’s beautifully tattooed Under My Skin.

Again, bought because I couldn’t resist the gorgeous cover, and have managed to get hold of one of the freebie posters at YALC for my classroom wall. And the edges are PINK.
Under My Skin was a treat to read , just because I love Dawson’s teenage girl voice so much. He balances bitchiness, humour and horror in equal measures, and it’s very fresh and lively.
This is about a girl who gets her heart’s desire when she gets a demon tattoo – a sort of tattoo salon Doctor Faustus. I loved the make-over she gets when her tattoo possesses her, and the scenes with the school’s unholy trinity Melanora are very authentic.
This is the third Dawson I’ve read (after Say Her Name and Hollow Pike) and just as much gory fun. After seeing the author’s lively hosting of the Sex panel at YALC – clad in Daenerys Stormborn body suit and “modesty dragon” – Dawson’s writing similarly switches from serious, saucy to outrageous – but is always entertaining.
Fabulous as Daenerys

Killer line: “There was no vegetable on earth her mother couldn’t over-boil.”
Envy moments: Those boots. That Satanville hair-cut.
If you like this, you’ll like…
Needful Things by Stephen King
Frozen Charlotte by Alex Bell

  James Dawson: "It's easy to write as a 16 year old teenage girl. Inside I am a 16 year old teenage girl!"


Saturday, 27 June 2015

Under My Skin by Zoe Markham

Chlo is a girl with a big problem: she was brought back to life by her scientist father and now lives with a regime of hard-core skincare, stomach injections, and enough foundation to cover the entire cast of TOWIE.
Because Chlo is, well, a zombie. If she doesn’t top herself up with protein every few hours, if she misses an injection, if she lets herself be seen in public, then the secret government department responsible for Project Rise (a sinister scheme to raise soldiers from the dead) will find out she exists. And that will mean the end of her secret life and the death of her father; it will mean her mother died for nothing.


Did I mention that Chlo only has enough life-giving serum for a few months? So whilst she hides away in the attic, surrounded by heaters for her poor cold flesh, and immersed in Jane Eyre (there are lovely nods to Gothic literature in this book) her dad spends day and night in his basement laboratory, working frantically on making more.
This is high concept stuff, and I read “Under My Skin” in a gallop one sunny afternoon in my caravan – although an attic-y book-nook would have been far more suitable (I was very envious of Chlo’s ). The tale is especially good at conveying the claustrophobic atmosphere of Chlo’s world in the first third of the book, before she puts her foot down and demands to be allowed to go to school. It deals with teenage angst very cleverly and equates Chlo’s situation to every young person’s desire to break away from parental control. Only here, of course, the restraints which Chlo’s dad impose on her are a matter of life and death. Or should I say, undeath.
I found the boarding school sections a little stereotypical in parts, although the portrayal of toxic friends like psycho bitch Emily was perhaps fitting in a book about monsters. (Micro-quibble – if they’re that posh, I think they’d play lacrosse, not hockey.) But Daz is a fab Hot Guy for Chlo, who doesn’t seem to mind her stuffing herself with battered sausages every time she sees  him. Those chip-shop scenes made me laugh out loud btw, and were a lovely antidote to all the dark shadowy passages in Chlo and her father’s cottage hide-away.
Some key cinematic moments:
·        That scene when Daz takes his top off
·        That scene where Chlo is caught in the rain *shudders*
·        That scene at the school disco
This is the first book in a series, and I was disappointed when I got to 85% on my Kindle and realised that I wouldn’t get to see the denouement. But I will definitely be getting the sequel. I mean I’ve just got to know what happens to Chlo when…and then she… (cut for spoilers!)
This is less Frankenstein and more In The Flesh – which was one of my favourite TV series in the last two years.
It’s a meaty, angsty, Gothic-y read which teen fans of Day of the Dead, Warm Bodies, and yes, even Twilight, will love to get their teeth into.
Not literally of course.
****




Friday, 26 June 2015

The National Curriculum Does Not "Damage" Children's Creative Writing

Just read something that made me angry...


The thing is, children love experimenting with new words (we call them Wow Words in our school) and take delight in trying to shoe-horn them into their writing. And somewhere, at some stage, they must learn to use simple, compound, complex sentences, and yes, longer and longer ones (sometimes including parenthesis or "comma sandwich") all without losing control of that ("let's make it even longer! Let's be like Dickens!) multi-clausal sentence.

And it's fun. And they learn. And the writing's awful, of course it is.
But that doesn't matter. 
Because they're not aiming to produce writing that will be noticed on a slush-pile. They're learning the rules. And experimenting. And having fun.
Just like learning a foreign language, the writing's going to be pretty bizarre at times (our year sevens have been trying to fit our latest Word of the Week "transmogrification" into their work this week!), but it has to go through an "awful" stage before it gets better. It's like anything that's part of the creative process. I mean, Picasso wouldn't have produced his pared back genius abstractions without first learning by producing a whole lot of flowery, fussy, over-detailed drawings, right?
So.
Let all children over-embellish; excitedly, enthusiastically and entertainingly (whoop, a list of three!) shovel in as many Wow Words as they want; let them clutter their writing with adverbs, adjectives and all manner of hellish intensifiers; let them experiment. Let them explore.
Let them sing.
Badly.
But. It. Doesn't. Matter.
Because one day, that one child who is destined to become a writer (as in claw themselves out of the slush-pile, make it their life's obsession until they've got their first book deal), they will join SCBWI, form a critique group, maybe scrape enough pennies to do an MA in creative writing.
And they'll read Stephen King's "On Writing" and realise that, gosh yes, "the road to hell is paved with adverbs", and they'll pare back all that silly floweriness,
and they'll write.
And write.
And write.
And all the over-zealous teachers and all the National Curriculum criteria in the world never did them a jot of harm.
I know because it happened to me.

Tuesday, 12 May 2015

Authors For Nepal

Ebay help-line for earthquake victims...

It has just been announced that a second earthquake has hit Kathmandu, killing dozens and injuring more than a thousand.




Many authors are offering a whole host of services, from critiques to retreats to naming a character in their next book - all in aid of the recent earthquake disaster victims in Nepal. To quote Kathy Evans in her blog:

"They are amazing and resilient  people but they are living in devastation. They need water and sanitation. They need to clear up. They need our help. They need your money.
You can give to the charity that my daughter worked for last year, HVP Nepal.
You can give to the Disasters Emergency Committee"
So please help by bidding here:

Sunday, 3 May 2015

Wish I'd Written... Only Ever Yours by Louise O' Neill


Only Ever Yours is the most unsettling book I’ve read for a long time. So I had to immediately gift it to my friends. I needed someone to talk to about it.
Set in the disturbing world of an all-girls’ school where the pupils are trained to become the perfect Companions for men, this seems at first to be yet another dystopian set-up.
It is not.
It. Is. Not.
This is pure scathing satire, ripping into our society of relentless adverts and media pressure to look, feel and act a certain way. Girls should be thin. Girls should be hairless. Girls should be pretty. Girls should find a hot guy. Girls should aspire to be on telly.
The awful thing is, I found myself buying into the petty competitiveness of frieda, isabel and megan’s world (lower case intentional – no female’s name is capitalised). All the details of their outfits (chosen and futuristically fitted onto them every morning) are described straight from Elle magazine. Oh to have a messy side-plait!
The clever thing is: not only does it tear girls’ worlds into shreds “with a scalpel” to quote Jeanette Winterson, it also reads as a scathing commentary on many YA books.
Yes, there’s a dystopian setting, but it’s subverted and feels far too real.
Yes, there’s a hot guy, brilliantly named Darwin Goldsmith, but any romance set up is twisted and revealed to be shallow and hopeless.
Yes, there’s a beautiful female protagonist, but is she feisty and rebellious? Is she heck. frieda is passive, helpless, bitchy, and broken. And her ending is one of the most shocking I’ve read.
Brilliant. Brutal. Unrelenting to the final page, this book is as pitiless as 1984; bleaker than The Handmaid’s Tale.
And any Companion over forty?
Oh, they get sent to the pyre.
Ranks with Caitlin Moran's How to Be a Woman as a must-buy for anyone who has daughters or nieces, and for anyone who thinks that Feminism is a dirty word.


Saturday, 4 April 2015

School Visit with Beth Reekles

Meet Beth Reekles: one of the world's sixteen most influential teenagers, according to Time Magazine.
As part of World Book Day celebrations, Write For Real invited her to The Chase School to share her writing journey.
First, Beth was interviewed by three students in the school library. After a very nice lunch provided by the school canteen (in a basket no less), Beth had a double workshop session in the lecture theatre, each with around fifty year ten students.
 Mrs Levez and Beth Reekles
Beth told the students (and some very envious teachers!) about her rise to author success at the tender age of fifteen, where she used to tap out romances on her second-hand lap-top in revision breaks.The Welsh high school student was looking for something to read other than stories about vampires and werewolves when she decided to write her own teen fiction book. Wattpad provided the platform for real readers to give her feedback for her growing story, The Kissing Booth, set in America. To her astonishment, over a few months her readers grew from a couple into 19 million views!
She started getting over 500 e mails a day from fans across the globe, desperate to read the next episode of her book. Her success caught the attention of Random House Children’s Publishers U.K. and Beth, now 19, scored a three-book deal with U.S. Random House and has since appeared on the Today show.

Beth Reekles is interviewed by students

Beth shares her writing journey

The Interview

Was it difficult to get noticed on Wattpad?
It was slow at first, but I made sure that each episode ended on a horrid cliff-hanger. After a few months I woke up and found 500 e mails in my inbox!
Tell us more about Wattpad.
At first I had zero confidence as a writer, but Wattpad is great for getting feedback on your writing. I posted anonymously and was surprised and happy to find that people seemed to like what they read. It gave me so much confidence, I started telling people about my writing.
What are your favourite YA books?
I love Solitaire by Alice Oseman and I also love On The Fence by Kasie West. The characters in them are so cute.
If you were a piece of furniture, what would you be?
A foot-stool (definitely not a chair!)
What was the process after your publisher contract?
After I got an e mail from Random House inviting me to London, I had to pinch myself to stop freaking out! My Dad and I went to their offices and I was offered a three book deal there and then. It usually takes about eighteen months for a book from signing the contract to publication, but in my case it took only eight weeks to get the e book of The Kissing Booth out by Boxing Day.
How much chopping and changing did you have to do with the edits?
Well, I had already edited the book myself, but the "fluffy cute" chapters got taken out.
Did you let your family and friends read your book?
No! Not until it was published. My family used to see me tapping away on the lap-top and say "what are you doing?" They all thought it was just a weird little hobby.
Are you a dog or a cat person?
Dogs. I dog-sit for my auntie.
Your passion has now become a business. How do you keep that initial enjoyment?
I try not to think of it as work - unless there's a stressy dead-line. Also, there's enough stress from uni work (Beth is currently reading Physics at Exeter University) so writing for me is down-time.
Was it a big step uploading your first story onto Wattpad?
Yes, it was absolutely terrifying! It was just a matter of copy-paste-click, but how did I know if someone would like it? I remember pressing screen refresh loads of times and being really pleased when I saw I had three followers!
Should more people use Wattpad?
Yes, definitely. 99.9% of the writing community is incredibly positive - really encouraging and supportive.
Has negative feedback ever upset you?
Whenever there's a "troll", other readers jump in and stop. It's easy to ignore, because there's so much positive feedback.
How do you manage to keep your characters interesting?
I try to give them little quirks and characteristics, but I never base them directly on people I know. I advise you to look at online character profile question-aids, for example: is my character superstitious?
Was it daunting when you met your editor?
Not at all. They were lovely and sweet and very welcoming. I knew I was in the right place when I saw a giant Tardis cut-out in the entrance to the Random House offices. There were also piles of YA books, and they said I could take as many as I wanted, so I was happy!
What age-group are your books aimed at?
Twelve to thirteen plus.
Is there any of yourself in any of your characters?
I think there's a bit of me in all of them. A good example is in Rolling Dice, my second book, which features a physics nerd!
Finally, do you have any advice that you can give to aspiring young writers?
My advice is always this: "Write what you read."
Our huge thanks to Beth Reekles, for a very inspiring school visit.





Thursday, 19 March 2015

NYCMidnight Short Story Challenge, Second Round

So the second round challenge was:
Write a story in 3 days.
Word count: 2000
Genre: historical
Character: 7 year old boy
Subject: an unveiling.
Here's my effort. (Very cross with myself because I submitted before I'd edited it properly.)

                                All Our Little Ones


Billy-boy sits in the Box with his apple, his bell and his ball.
He must do as he and Ma and Gentleman have rehearsed or there’ll be no meat pie tonight. 

Today I am seven. I have my apple, my bell, my ball.
Ma says to keep tight hold of the string, not like last time. Last time I let the apple bump too early and nobody was half as Amazed and Flabbergasted as they should have been.
So I hold the string in my hand and listen hard just like Ma taught me.
Gentleman helped me into the Box when the lights went out. He has on his silk kerchief and his pocket-watch tonight and says he will let me have a nip of his fire water if I am a good boy. Since it is my birthday he has even promised me a wiper of my very own.
The string is hot and sticky in my fingers. I wind it round and listen hard to what’s going on outside in the parlour cause if I miss my cue it will mean no meat pie for me. Worse still, we might get nibbed.
I have excellent ears, Gentleman says. Ma says he spoils me; I will get all rotten like a bad apple, she says. But I like it when Gentleman tweaks my ear and gives me sixpences and Fox’s mints.
Though I can’t see her I can picture Ma at the head of the tipping table. She’s all dressed up to the nines in her fine muslin and good silk stockings, taking her place with the ladies. Her pocket-purse will be fat with coins, all of them sovereigns and all of them good.
“We’ll be swells too one day, Billy-boy,” she said, before smothering me with kisses that smelled of cinder toffee and snuff.
Apple. Bell. Ball.
I scratch my scabs and listen hard. Ma’ll be going under soon; I can hear the catch in her throat.
If I hold my breath I can hear:
The ladies whispering and rustling.
Ma’s breath going deepdeepdeep.
The ticking of Gentleman’s pocket-watch.
My heart small and quick.
The tiniest sound of me scratching at my leg.
My ankles are scabbed with  flea bites. Back in our kitchen, Mr Gladstone the blind old terrier has been scratching and worrying at his hind leg like he would tear strips from it. I twist the string and try not to think of the itching like hot little needles jumping and wriggling  over my skin.
My left leg is twisted from where a cab-wheel caught it. It means I am smaller than I ought to be and that is good for prigging. Ma is not my real Ma. She found me curled up tight as you like when my real mother died, so she says, never a word did I speak, not for all the cinder toffee she could tempt me with.
Her being such a kind soul, heart as soft as lambs wool, she scooped me up and declared she would have me for her own, there and then. That first night, after she pulled me way from my poor cold mother, she took me to her room and we lay, spooned together in the narrow bed, her rubbing at my feet to warm them, stroking flat my fine baby hair. Where my real mother had been string-thin like me, Ma is fat as butter.
She fed me up, but not too much. She had plans for me and my being a shrimp fit in just fine.  After all, Ma is the boldest handsomest betty on Cleet Street.
I can feel the cold hard edge of the bell against my foot, which is greasy with blacking. Ma rubbed my feet and hands and face hard with soot before we left for our Most Spectacular and Genuine Unveiling.
Ma’s voice calls out, only a bit muffled on account of all the chiffon she has stuffed in there. She and Gentleman have rubbed it with goosefat so it will slide out nice and smooth when the time comes.
“John Quinn, John Quinn, John Quinn, are you coming?”
She has tried muslin and cheese-cloth and even chewed paper but says her chiffon wedding veil works best and Ma knows cause she is the Most Remarkable and Prodigious spiritualist in London.
Besides me, Gentleman coughs.
I am ready.
Taking the string, I raise it high and quiet and drop it so the apple bounces.
Bump.
There is a cry from one of the ladies.
“John Quinn, are you here to see your dear Mamma?”
Bump
“Can you tell us how old you were when you passed to the spirit world?
Three is harder cause you have to time the bounces just right.
Bump bump bump
A sigh, heavy and sweet from the sitters.
“Do not break the circle,” reminds Ma.
It was on the day I was five she announced it was time to earn my keep. No-one knew when my birthday was so Ma made me take it on Jubilee Day seeing as that was the day she found me.
“All right my dear,” she said, spitting snuff juice into a little jug she keeps, looped over her  finger. “You are ready for work. You and me and Gentleman are going to be Most Astounding and Spectacular, and don’t you ever forget it.”
Then she coaxed me into the Box with a piece of hot meat pie,  and sang to me in the dark till I forgot my tears and ate it all up quick as you like. I have an appetite you wouldn’t believe even though I’m small. Skinny-diddles, Ma calls me.
There is an oooh from the sitters and I know that Gentleman has done his table-tipping. That means it is only the bell and the ball left. I need to be careful not to touch the ball cause it is all full of water for the poor drowned little ones.
Ma specialises in children that have gone to Heaven early.
I reach the bell with my toes and lift it, careful now, and just have room to shake it.
It is loud and clear as cut glass. It is the sound of angels.
There is a little moan from the room outside and I know that one of the ladies has fainted.
“Keep your hands together. Do not break the circle,” drones Ma. Her voice is going all husky cause she’s sucking up the spirit now. She’s being transfigurated and this is her favourite part.
When she and Gentleman have had a pitcher of wine, he pinches her and says she should be on the stage, that she should. I like it when Ma goes all girlish cause that’s when she hugs me most, squeezing and pinching like she can’t get enough of me.
Soon, real soon, Gentleman is going to let me out the back of the Box and that is when I am to perform my real business.
“The veil is thinnest at this hour,” Ma intones, voice all growly and deep. “It is a time when the Oneness and Earthliness join together. All our little ones cross over on their tiny spirit feet.”
Gentleman undoes a secret catch on the Box and it splits open like a crackerjack.
I untwist my poor numb feet and there’s no time to rub life into them. Gentleman lifts me out of the Box and I crouch on the floor, nearest the tipping table as I can. After being in the Box this room is bright as daylight to me or near enough, though all the swells can’t see me.
There are six pale ladies with their eyes shut tight as fists, pale arms stretched forward over the table. Each pale hand is clasped it the neighbour’s wrist but of course Ma has fixed it so she has a free hand. There she is at the head of the table, with her cheeks all swollen cause of her veil, and there’s Gentleman, posed with his fishing-rod.
One of the ladies sways and moans. She has light shining hair like an angel, and has narrow wrists, like they’d snap like sugar if she’s not careful.
Silent as a sigh, I pad my sooted foot on the floor and then another, quick and light as anything. I go to the swaying lady first; tip-toe over and crouch down, stroke her cheek with my small hand.
“Aaah,” she says, and smiles like all her wishes have come at once; someone’s released a bird in a cage and set her free. She leans her head against my hand and I let her, but only for a moment cause Gentleman is fixing me hard. He’s wanting me to go round and give each of them a turn before Ma’s Grand Spectacular Finale.
 “Aieeeeeaieeeeeeeaieeeeee,” intones Ma. She’s building up now, she’s been practising in the kitchen.
I move close as you like to a large lady in swags and feathers, and pluck a feather out of her hair.
“My Johnny, my Johnny,” she moans.
Next, the water.
I breathe, moth-soft, on her softly folded neck. Then I squeeze the ball till it drips.
Ma opens one eye. I see it gleam bold in the gloom.
“Your poor spirit son, was it a drowning?” she breathes.
“Yes, yes,” gasps the lady. Her head is jerking up and down like the madwoman we once saw bundled out of her house on Cleet Street.
The water trickles down the frill of her dress as Gentleman takes the fishing-rod. Jiggles it so that the tambourine on its hook shivers and shakes.
“He’s calling,” bawls Ma. “Hark at his little voice like bells.”
“Oh my boy, my boy,” Swagged Lady says.
I duck and dive, touching and tapping and poking till the ladies gasp and buck and stream with tears.
The air is damp with scent and ladies’ sweat.
 “My boy came to me. I felt him.” An old lady’s voice, racked with sobs.
“He touched me too,” breathes another. It is Angel Hair; her mouth is a wide O. “A hand, small and soft upon my cheek.”
“Taken by the fever,” another whispers.
All is going well. This may be the Most Astounding Breath-taking Sitting Ever. I think of the meat pies we’re going to have, hot and steaming and dripping with gravy.
But then.
I see an old lady dressed in widow’s weeds gazing at Gentleman still crouched with his fishing-rod. Her eyes are bright with staring. Has she seen? Quick as thinking I reach with the feather and tickle her cheek.
It is a close one. She closes her eyes and gasps like one who has just woken up after years and years of sleep-walking. Gentleman presses the rod back into itself, over and over till it’s small as a poker and slips it under his good twill trousers. Slides into his seat without breaking contact. He’s a marvel, is Gentleman.
Ma is almost done.
“Whaooowhaooowhaooo,” she says and the parlour is hushed cause this is the part where the lady’s poor dead spirit boy comes out of Ma’s mouth.
Ma lets out a howl and everyone falls silent as ectoplasm, yards and yards of it, uncoils from her mouth and falls wriggling to the floor.
When the ladies leave the parlour, they are laughing and murmuring about their spirit children. Swagged Lady has looped her arm in Angel Hair and they are giving each other special smiles and squeezes. The old Black Widow has unwrinkled a line ot two of skin like paper that’s uncrumpling. She too has seen her poor dead spirit child, has felt the pats on her ancient cheek.
Gentleman joins them of course. He bows his head and nods, very serious. He offers two pale ladies an arm each and glides with them out of the room. There is soot upon their faces.
Ma looks after them and smiles all tender-like.
“Poor dear ones with their hearts mended now their sweet little angels have come visiting.”
She pats her pockets and sighs with satisfaction.
Soft as butter Ma is, and no mistake.